@anjali.filmiChristopher Nolan on how he's treating the gods in THE ODYSSEY: for people in a pre-scientific era, evidence of divinity is everywhere, so the existence of gods is simple reality, not faith. Thunder and lightning is God speaking, and the ocean's state is moved by the gods.
元の投稿を見る@anjali.filmiさんの写真· Aug 2, 2026· 写真 1/2· Christopher Nolan
The image focuses on a lone warrior facing a group of imposing, armored figures in a snowy forest. The warrior, wearing a grey cloak and a red-plumed helmet, holds a sword, while the larger figures are clad in metallic armor and carry large weapons. The mood is epic and dramatic, with a fantasy or historical battle aesthetic. The sheer size difference between the warrior and the armored figures is visually notable, as is the falling snow creating a misty atmosphere.
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The Odyssey Christopher Nolan BoxOffice@anjali.filmiChristopher Nolan on how he's treating the gods in THE ODYSSEY: for people in a pre-scientific era, evidence of divinity is everywhere, so the existence of gods is simple reality, not faith. Thunder and lightning is God speaking, and the ocean's state is moved by the gods.
元の投稿を見る@anjali.filmiさんの写真· Aug 2, 2026· 写真 1/2· Christopher Nolan
The image focuses on a lone warrior facing a group of imposing, armored figures in a snowy forest. The warrior, wearing a grey cloak and a red-plumed helmet, holds a sword, while the larger figures are clad in metallic armor and carry large weapons. The mood is epic and dramatic, with a fantasy or historical battle aesthetic. The sheer size difference between the warrior and the armored figures is visually notable, as is the falling snow creating a misty atmosphere.
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