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    Obum
    Obum@obum
    ⭐Taylor Swift⭐Max Martin💭Pop Music

    Taylor Swift I Knew You Were Trouble studio

    Taylor Swift admits her hit I Knew You Were Trouble began as a really sad ballad. The track only found its final shape after Max Martin and Shellback stepped in with a bold pivot. They pushed to drop the piano entirely, swapping it for an electric guitar and heavy dubstep elements. Swift recalls their direct challenge: "What if it's electric guitar and dubstep? Like, we're not putting a piano in this." She agrees that shift ended up being the best thing for the song. This collaborative spirit is exactly why she counts Max Martin and Shellback as her favorite people to work with. She values partners who operate on a "Yes, and?" basis rather than shutting down ideas. Her goal in seeking them out was specific: she did not want to be making lateral moves creatively. If her producers heard dubstep potential in the demo, she felt compelled to follow that lead. "Why wouldn't we go down that path? Why wouldn't we?" she reasoned. For Swift, the energy brought into the room is decisive. She believes enthusiasm in the studio can truly make or break the final creation.

    2w

    150 いいね8 低評価19 リポスト7 コメント
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    まだコメントはありません。最初のコメントを投稿しましょう!

    投稿

    Obum
    Obum@obum
    ⭐Taylor Swift⭐Max Martin💭Pop Music

    Taylor Swift I Knew You Were Trouble studio

    Taylor Swift admits her hit I Knew You Were Trouble began as a really sad ballad. The track only found its final shape after Max Martin and Shellback stepped in with a bold pivot. They pushed to drop the piano entirely, swapping it for an electric guitar and heavy dubstep elements. Swift recalls their direct challenge: "What if it's electric guitar and dubstep? Like, we're not putting a piano in this." She agrees that shift ended up being the best thing for the song. This collaborative spirit is exactly why she counts Max Martin and Shellback as her favorite people to work with. She values partners who operate on a "Yes, and?" basis rather than shutting down ideas. Her goal in seeking them out was specific: she did not want to be making lateral moves creatively. If her producers heard dubstep potential in the demo, she felt compelled to follow that lead. "Why wouldn't we go down that path? Why wouldn't we?" she reasoned. For Swift, the energy brought into the room is decisive. She believes enthusiasm in the studio can truly make or break the final creation.

    2w

    150 いいね8 低評価19 リポスト7 コメント
    ?

    コメント

    まだコメントはありません。最初のコメントを投稿しましょう!