“Warehouse 13 is a pleasant, undemanding summer diversion, with a likable cast and a premise that allows for plenty of variety in the artifacts of the week.”
Mike Hale
The New York Times

United States"Mystery loves company"
ユーザースコア
762 votes
Secret Service agents Pete Lattimer and Myka Bering think they've seen it all. Then a routine protection detail in South Dakota goes haywire, and they get recruited into a job that defies explanation. Their new assignment: Warehouse 13, a sprawling, impossible facility hidden in the Badlands that houses thousands of historical objects charged with supernatural energy. A hairbrush that makes you obsessively vain. A typewriter that makes whatever you type come true. A necklace that grants invisibility. Their mission is to hunt down these artifacts before they cause chaos, and bring them back to the Warehouse for safe storage.
Created by Jane Espenson and D. Brent Mote, the series aired on Syfy from 2009 to 2014, running five seasons and 64 episodes. The show blends sci-fi mystery with buddy-comedy banter and a distinctive steampunk aesthetic. The core team includes the brilliant, grumpy caretaker Artie Nielsen (Saul Rubinek), tech prodigy Claudia Donovan (Allison Scagliotti), and later, lie-detecting agent Steve Jinks (Aaron Ashmore). The Warehouse itself becomes a character, its endless aisles of artifacts hiding secrets and danger around every corner.
With its lighthearted tone and inventive artifact-of-the-week format, the show built a devoted fanbase. Critics praised the cast's chemistry and the show's willingness to have fun with its premise. It earned an Emmy for visual effects and a crossover episode with Syfy's Eureka. At its heart, Warehouse 13 is a story about family, found and forged, and the responsibility of protecting history's strangest treasures.
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Warehouse 13 follows Secret Service agents Pete Lattimer and Myka Bering after a routine assignment in South Dakota goes wrong, revealing the existence of a secret government facility that stores supernatural artifacts. The Warehouse, one in a line dating back to ancient Egypt, houses objects touched by powerful historical events or emotions that have absorbed residual energy. A simple comb might drive you mad with vanity. A pair of boots might let you run impossibly fast. The agents' job is to locate, retrieve, and safely store these artifacts before they fall into the wrong hands or cause catastrophic accidents.
The core team is led by Arthur "Artie" Nielsen, the Warehouse's brilliant caretaker who has spent decades protecting the collection. Pete, impulsive and intuitive, has a natural sensitivity to artifact energy, while Myka, methodical and bookish, brings deep historical knowledge. They are joined by Claudia Donovan, a tech prodigy who becomes the Warehouse's tech specialist and later a field agent, and Leena, the warm-hearted proprietor of the Warehouse's bed-and-breakfast who provides emotional grounding. The team's adventures take them across the country, chasing artifacts linked to figures like Lewis and Clark, Nikola Tesla, and H.G. Wells.
The series balances stand-alone artifact retrievals with season-long arcs. The first season introduces rogue agent James MacPherson, a former friend of Artie's who seeks to use artifacts for his own ends. Season 2 expands the mythology with the introduction of H.G. Wells, revealed to be a woman who faked her death and created a time-traveling artifact. Season 3 raises the stakes with Walter Sykes, a wealthy industrialist who systematically targets the Warehouse team. Season 4, the longest at 20 episodes, deals with the aftermath of Sykes' machinations and explores the history of the Warehouses and the mysterious Regents who oversee them. The shortened fifth season brings the series to a close, focusing on personal challenges and the team's future.
The show's tone is consistently lighthearted despite serious stakes, with witty banter between Pete and Myka, Artie's grumpy wisdom, and Claudia's youthful enthusiasm creating a found-family dynamic. The steampunk aesthetic, visible in the Warehouse's design and the agents' gadgets, gives the series a distinctive visual identity. Each episode typically follows a monster-of-the-week structure, while season-long arcs build toward larger confrontations. The series avoids revealing the ultimate fate of the Warehouse or its caretakers in this synopsis.
Warehouse 13 Series Trailer
批評家の総評
Warehouse 13 earned praise for its inventive premise, charming cast chemistry, and lighthearted tone, though some critics found it derivative of similar genre shows. The show's blend of humor, action, and supernatural mystery attracted a loyal fanbase, with particular acclaim for Saul Rubinek's performance and the steampunk aesthetic.
“Warehouse 13 is a pleasant, undemanding summer diversion, with a likable cast and a premise that allows for plenty of variety in the artifacts of the week.”
Mike Hale
The New York Times
“マククリントックとケリーのケミストリーは本当に魅力的で、この番組は、よりダークなSF作品とは一線を画す、軽快で陽気な雰囲気を醸し出しています。”
Brian Lowry
Variety
“『ウェアハウス13』は、あまり自分を真剣に捉えない、楽しくて軽快なアドベンチャーシリーズであり、それが最大の強みです。キャストは皆素晴らしく、ソール・ルビネックが番組の感情的な支柱となっています。”
Tim Goodman
The Hollywood Reporter
“キャストの魅力と週替わりのアーティファクトという斬新なフォーマットに大きく依存しているが、それが機能する時には、実に奇妙で機知に富んだ冒険となっている。”
Scott Von Doviak
The A.V. Club
“『ウェアハウス13』は新しい境地を切り開くものではないかもしれませんが、そのフォーミュラをスキルとウィットをもって実行し、楽しみやすく、大切にしたくなるようなキャラクターがいる世界を作り上げています。”
Maureen Ryan
Chicago Tribune
Directors
Stephen Surjik, Chris Fisher, Tawnia McKiernan, Jack Kenny, Constantine Makris, Michael Rohl, Jace Alexander
Writers
Jane Espenson, Jack Kenny, Andrew Kreisberg, D. Brent Mote, David Simkins, Nell Scovell, Bob Goodman, Michael P. Fox, Benjamin S. Raab, Deric A. Hughes
Composers
Edward Rogers, Michael A. Levine
Producers
Jack Kenny, Jane Espenson, D. Brent Mote, David Simkins, Andrew Kreisberg, Chris Black, Michael Amo, Mark Winemaker
Primetime Emmy Award (2012)
シリーズにおける優れた特殊視覚効果: Won
Primetime Emmy Award (2010)
シリーズにおける優れた特殊視覚効果: Nominated
Primetime Emmy Award (2011)
シリーズにおける優れた特殊視覚効果: Nominated
Saturn Award (2010)
最優秀シンジケート/ケーブルテレビシリーズ賞: Nominated
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